Short Piece Guitar Strings

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In this material we take a look at the history of the electric bass guitar. When talking with regards to bass history the original person that persons ordinarily think of is Leo Fender. He is credited with introducing the world to the Precision bass in 1951. The bass was called a Precision bass because of the accuracy of the notes. Players were capable to play notes that were perfectly in tune because of the presence of frets on the electric bass guitar. To some people, this was the basi real electric bass. This bass was mass-produced and very recognizable when it was produced by Fender and up to this day it still is.

But while we give Leo Fender his dues for creating the innovative electric bass, it will have to be said that way before 1951 there were at least five other prototypes that resembled the design of today’s electric bass guitar. In talking when it comes to the history of the bass guitar we must talk regarding the double bass. In fact, today’s bass is a direct descendant of the double bass, dating way back to the 17th century. Although it was genuinely in the 20th century that one with a more practical design was created.

When talking with regards to bass guitar history mention will have to be made of Lloyd Loar, known for designing the primary electric double bass in the 1920s while working for Gibson. The bass applied an electro-static pickup but there was no practical way of hearing it play. Unfortunately, bass amplification still had a long way to go.

The evolution of the bass guitar now takes us to the early 1930s when Paul Tutmarc built a more practical bass in terms of size. The primary one came with a pickup and was the size of a cello but was too heavy, so the designed was changed to that of a guitar. This 42 inches long solid body bass was made of black walnut and came with piano strings and a pickup.

A few years later, in the mid 1930s, traditionalisti firms like Lyon & Healy, Rickenbacker and Gibson begun retail basses that, even though less bulkier than the popular double bass, were still tall, unfretted and upright.

Around 1940 was the original time a huge distributor handled the electric bass. The distributor was L.D.Heater Music Co. in Portland Oregon, and the basses were fabricated by Paul Tutmarc. This was a fretted instrument that was no longer to be played upright, but horizontal. It came with a pickup and was much littler than earlier versions.

It was only then that Leo Fender came up with the innovative electric bass. As said at the beginning of our discussion on bass guitar history, it was the year 1951. In the year 1957 the pickguard and headstock were redesigned and the pickup was changed to a split pickup. This took us to the year 1960 when the Jazz bass was designed. Unlike the Precision bass, it came with two discerned pickups. The innovative bass guitar became very popular.

The primary 6 string bass was produced in 1959 by Danelecto and the introductory 5 string in 1964 by Fender. The firstborn fretless was produced in 1965 by Ampeg, and in 1968 an 8 string bass by Hagstroem. Carl Thompson is credited with building the initial fretless 6 string bass in 1978.

Many developments have taken place since then. For instance, Ned Steinberger introduced a headless bass in 1979. In 1987, the Guild Guitar Corporation launched the fretless Ashbory bass. This bass used silicone rubber strings and a piezoelectric pickup to achieve a “double bass” sound. The bass was very short, only 18 inches long.

Throughout the years, pickups have also evolved. In addition to single coil pickups, you now have various others such as humbuckers, hybrid pickups, passive and active pickups. These seem to be competent of manufacturing each tone imaginable, from pure signals to the grittiest dirt sounds.

The electric bass seems to have become more ordinary today than ever before. For instance, when someone refers to a bass it’s more mutual to think of the electric bass than the upright acoustic.


  • Amazon Sales Rank: #120104 in Music
  • Released on: 2000-05-16
  • Number of discs: 1
  • Dimensions: .21 pounds
Short Piece Guitar Strings

Short Piece Guitar Strings Image

Short Piece Guitar Strings

Short Piece Guitar Strings Photo

Short Piece Guitar Strings

Short Piece Guitar Strings Pic

Short Piece Guitar Strings

Short Piece Guitar Strings Photo

Short Piece Guitar Strings

Short Piece Guitar Strings Pic

Short Piece Guitar Strings

Short Piece Guitar Strings Photo

25 of 25 people found the following review helpful.
4Has hard-to-find pieces by Bream
By A
Despite a title sure to embarrass any self-respecting music snob, this is no less than a full disc of nicely mastered solo guitar recordings by the great Julian Bream (a string quartet joins Bream on one track). If these pieces could be easily found elsewhere, on albums with more continuity, then this disc wouldn’t be worth buying. But probably 40% of the material on this cd can’t be found in print, to my knowledge. In particular, the Mompou, Mozart, Llobet, Aguado, Henze, and Diabelli tracks aren’t readily available elsewhere as of early 2003. Several of these tracks are nice hefty 6-7 minute pieces. In particular, the beautiful Andante from Diabelli’s Sonata, arranged by Bream himself, is worth the purchase price by itself. If you’re a Bream fan trying to get beyond his half-dozen easily available cds, add this to your collection.

19 of 20 people found the following review helpful.
5Great CD all around!
By Emma J. Honan
I got this CD because I am a massage therapist,and refuse to buy
those cheesey new agey relaxation CD’s.I was finally getting a little tired of the bach cello concertos and a couple of other classical recordings that had been deemed “relaxing”,and decided to try this one.It is great!I never seem to get tired of it!I have not had a client that didn’t love it.Most even ask what it is because they like it so much.Based on the success of this CD,I am going to try the Cello For Relaxation CD in the same series.I hope that it is just as much of a hit!

7 of 10 people found the following review helpful.
5This works!!
By A
A wonderful collection. Lives up to it’s title – RELAXATION!! As always, Julian Bream and his guitar make the mark!! This is a great addition to any relaxation and/or soft guitar collection!

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